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Kate Greenaway,RWS,RI
1846-1901
English painter, illustrator and writer. The daughter of a Fleet Street wood-engraver, John Greenaway (1818-90), she trained at Islington School of Art, Heatherleys Academy and the Slade School of Fine Art, all in London. In 1868 she did her first commercial work, producing Christmas and Valentine cards for Marcus Ward, Belfast. Related Paintings of Kate Greenaway,RWS,RI :. | Portret de femeie | Figures at a Fountain | Winter g | Bread Baking | Laundryman | Related Artists: dominique peyronnetJohn MacWhirter (27 March 1839 Slateford, Water of Leith - 28 January 1911 London) was a Scottish landscape painter.
John was the third of four children. He attended a school in Colinton, and after his father's death was apprenticed to Oliver & Boyd, booksellers in Edinburgh. He stayed there for only a few months and then in 1851 enrolled at the Trustees Academy under Robert Scott Lauder and John Ballantyne (1815-97). He spent long periods sketching and studying nature outdoors. His first painting to be exhibited at the Royal Scottish Academy at age 14, was 'Old Cottage at Braid'. In 1880, he was made an Honorary Member of the Royal Scottish Academy. Exploring and painting abroad he visited Italy, Sicily, Switzerland, Austria, Turkey, Norway and the U.S.A. - the Alps being a great inspiration. He moved to London in 1867 and on 4 May 1893 was elected a Royal Academician.
MacWhirter specialised in romantic landscapes with a great fondness for trees, spending much time in the hilly countryside of Perthshire. Initially, under the influence of John Everett Millais, he experimented with the detailed images of the Pre-Raphaelites, but later adopted a more sweeping style. With John Pettie he illustrated The Postman's Bag (Strahan, 1862), and Wordsworth's Poetry for the Young (Strahan, 1863). Pippin, HoraceAmerican, 1888-1946
.U.S. folk painter. Pippin served in the infantry in World War I, but he was wounded in 1918 and discharged with a partially paralyzed right arm. His first large canvas was an eloquent protest against war, End of the War: Starting Home (1931 ?C 34). His primary theme became the African American experience, as seen in his series entitled Cabin in the Cotton (mid 1930s) and his paintings of episodes in the lives of the antislavery leader John Brown and Pres. Abraham Lincoln. After the art world discovered Pippin in 1937,
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